Categories
Public Sculpture

Embryonic Horse Inauguration

Inauguration of “The Embryonic Horse” Bronze Sculpture in Floriana, 22nd July 2024

Google Maps: https://maps.app.goo.gl/MK6ZzjoEuMtB87uq

Proud to announce the inauguration of “The Embryonic Horse,” a bronze sculpture that now graces the historic site near the Wignacourt Water Tower in Floriana. The ceremony, part of the national “Art in Public Spaces” initiative, was attended by Parliamentary Secretary for Public Works Hon.Omar Farrugia, local authority officials, and members of the public.

The sculpture, created to emphasize the importance of animal welfare and environmental preservation, depicts a horse rolling at play in a cradled position under a canopy of trees. Its placement near the Wignacourt Water Tower, where horses have traditionally been refreshed, underscores the long-standing relationship between the site and animal care.

During the inauguration the Artist gave a heartfelt speech:

“Good Morning,

My name is Rune Bo Jakobsen and I am the artist of the ‘Embryonic Horse’.

I would like to thank you all for coming today for its inauguration!

Just short of noontime and already hot; we are lucky to be standing under these magnificent trees -providing us- and the horse with shade.

Floriana is exceptional for this – hosting a wealth of Gardens – giving animals and humans a connection with Nature – and a respite from the scorching sun.

I feel so fortunate that we finally have realised the ‘Embryonic Horse’ public artwork in this meaningful location – right next to the Wignacourt Water Tower and fountain where horses come to cool down and drink!

Since I was a kid going to a farm near my grandparents’ house in Denmark I used to draw and admire horses- their fascinating anatomy, powerful muscles, their giant dark eyes, walking on their toes and if you were lucky, you might see them enjoying rolling on their back like a playful dog!

The Inspiration to the ‘Embryonic Horse’ sculpture came to me over a decade ago. Living in Valletta I saw first-hand how the carriage horses were suffering in the hot sun for hours slipping uphill on the tarmac – sometimes even collapsing – just for the sake of a tourist pleasure ride. The horse drawn carriage reminds us of a time when horses were the only means of transport, easily navigating through the very narrow shady streets we find in historical village cores today. As progress will have it, cars have since dominated the urban and rural landscape, roads have widened and trees have had to make way for parking spaces.

With the Sculpture I wanted to draw attention to animal welfare and our environment in a positive way – showing a horse at play in a green space- not at work nor in pain – but in harmony with nature.

The Artwork is a happy horse rolling, playing on its back, its legs reaching up towards the dappled light protected under the magnificent tree canopies – curled up almost resembling an embryo in a womb.

The Horse – just like humans, be it the elderly on foot or youngsters on bicycles – thrive in spaces like this here in Floriana.

In the midst of progress we must remember it says alot about a country how we care for animals and how we nurture a safe green environment and future for our children and elderly.

I am certain we can do this and make Malta Green:  take inspiration from these gardens in Floriana and our fellow European bicycle friendly green cities; see the potential of Valley road in Birkirkara, walk along the green dunes we designed at the Three cities Waterfront and develop new ways of connecting our little island with with healthy green spaces – good for animals and humans alike!

I want to thank everyone who helped realise my dream:

the Public Works Department,

the Floriana Local Council,

the Bronze foundry Ursino in Sicily,

the Aguis Stoneworks team here in Malta,

Hydrolectric lighting and Perit William Lewis,

my fiancé Keely for her support and equine expertise

and her beautiful mare Tessa for modelling and countless backrolls!

Thank you!”

A poem, specially crafted for the artwork, which can be read on the sculpture’s plaque, encapsulates the essence of the Artist’s message.

For more information about the ‘Embryonic Horse’, the Artist and more of his public artworks, exhibitions and upcoming events, please visit ART STUDIO – RUNE BO JAKOBSEN, Rockerfeller Court, 1 Tower Road, Bkara or online at www.runejako.com.

Categories
Exhibition

Massimo Dutti, May – June ’24

Thanks to all who attended the opening of my exhibition with Massimo Dutti at Shoreline over the weekend!
It’s been a pleasure to be part of the Massimo Dutti’s Art in Progress Project, which includes the exhibition of works by a selected number of artists in its main flagship stores. A reflection of Massimo Dutti’s support for contemporary art.


“As we celebrate the grand opening of Shoreline Mall, we are excited to announce our collaboration with renowned fashion brand Massimo Dutti and distinguished Danish-Maltese artist and architect Rune Bo Jakobsen for an exclusive event: Art in Progress, Malta. The event will take place from Friday, May 31, 2024, to Sunday, June 2, 2024, at our newly opened store in Shoreline Mall.

…His sculptures utilise diverse materials such as steel, limestone and brass as part of his efforts to address pressing societal and environmental issues, showcasing his innovative approach to art and design.


Art in Progress, Malta promises a unique experience where fashion meets art. This special event will feature exclusive “Meet the Artist” slots, allowing our customers the rare opportunity to meet Rune Bo Jakobsen in person and experience his exquisite artwork alongside Massimo Dutti’s latest collection”.

Categories
Exhibition

Risette, Valletta. May – Oct ’24

I would like to thank you all for coming yesterday evening and thank Matthew Ellul and the whole team the beautiful Casa Ellul and Risette Restaurant for opening their doors once again to my Art.

Along with the scenographic setting of Valletta this time my eye has been drawn to people, characters inhabiting the street spaces. While Valletta is a compact urban bustling city there are also shades of green. I long for green. The green gives me a feeling of tranquillity and peace – something we need more than ever. The City Life is only sustainable if we also nurture the green spaces. I wanted the colours of the exhibition to be vibrant like a garden in full bloom. Deep down I am also an Architect, so the architecture of the city, the scenography, bridges criss-crossing street spaces, cupolas on the skyline, captivating harbour views, cats and characters and are all ingredients of the city I use to create compositions on the canvas.

Alongside the paintings are my Sculptures of the Embryonic Rolling Horse – whilst in Valletta we see horse drawn carriages – this is a horse at play, not working in the hot sun but under the cool tree canopy of Floriana. In the coming weeks this sculpture full size will be placed near the Wignacourt Water tower and fountain where the horses drink.
One flower featuring in the show is my wonderful fiancé Keely -she is my love and muse appearing on canvas including the ‘Bladerunner’ strait streetscape; and as I have been told on several occasions a love transcending bright colours into my brush strokes of my latest artworks! Keely’s equestrian expertise and sensitivity has also been instrumental in my development of the embryonic horse sculpture – understanding the horse anatomy and sharing a care for the wellbeing of animals and humans alike.
In the coming days and weeks I welcome you to take the opportunity to pop in at Risette & Casa Ellul and experience the Valletta City Life paintings blooming in full colour along with the playful Embryonic Horse Sculpture.

Categories
Publications

Design & Decor, Sept 2023

Categories
Exhibition

Green City

Solo Exhibition at The Phoenicia Malta, August 2023

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‘A vibrant collection of recent paintings by Rune Bo Jakobsen (b. 1975) are gracing the bright Palm Court Lounge at The Phoenicia Malta
throughout the month of August.

Titled ‘Green City: from Floriana to Mdina’, the paintings portray land and streetscapes that aim to draw attention to the available greenery of the Maltese islands, which is sadly being lost due to indiscriminate construction.

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Jakobsen’s art is about giving hope and inspiring us to improve the potential of our environment and society. In doing so his paintings portray spaces with emotion, capturing dappled light and reimagining a soft regenerative ambience.

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At times the paintings also include the people who inhabit and experience beauty in the spaces.
The painting titled Arcade Ensemble starts as a conversing group of friends clustered together in the Arcades of St Anne’s Street, Floriana.

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The theatrical space is illuminated in a green light from beyond and from canvas to canvas the scenographic composition is abstracted into a dreamy space that could be future or past.
In a subliminal way Jakobsen states the exhibition conveys an important urgent message: ‘We can choose to make Malta green’.



In this solo exhibition, recognisable landmarks such as Robert Sammut Hall are evident, as well as the iconic city of Mdina perched on the hilltop portrayed at different times of day and viewpoints.

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Other elements are the distinguishing dominating church steeples, Maltese timber balconies, boats in the harbour and precipitous fortifications, all bathed in the warm Mediterranean light as seen throughout the year and changing seasons.

Jakobsen is here proving his ability to see colour in any object, and colour is a distinguishing element of his paintings. This is testament
to his power of observation and maturity in the
use of a broad palette. Colour is seen through the light as well as in the shade and shadows that is cast on and by limestone buildings
and trees that play an equally important role.
Executed with broad brushstrokes and bold, block colours, this is where Jakobsen’s emotions shine through even in the everchanging
Mediterranean skies.

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Some of these paintings that were executed en plein air as well as in the artist’s Birkirkara studio, also display drawings that show through the painted layers or which were added to finish off the composition, creating more definition.

Also significant to this exhibition is a 2.8m high sculpture titled Green Heart’ which is exhibited in the lush gardens of The Phoenicia Malta, an ideal location for this artist’s silent commentary. …’

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Categories
Public Sculpture

‘Olive Twist’

Public Art Sculpture in Zejtun, Malta

Inauguration speech, 4th Oct 2021:

‘My name is Rune Bo Jakobsen. I am an Artist and an Architect. Through my Paintings and Sculptures I seek to give emotional and sensory experiences; over the years touching on key topics such as growth, life, childhood, fertility, animal welfare, urban spaces and the environment. Previous Public sculptures in Malta include the Travelling concrete ‘Popcorn’ and the Child Memorial Paper Boat coined ’Hope’ at the Valletta Waterfront.

The ‘Olive Twist’ sculpture here in Front of us is inspired by the organic growth and twisting movement of the ancient Olive trees deeply rooted in the culture of Żejtun. The Structural ‘DNA’ of the sculpture is reminiscent of the traditional Maltese silver filigree jewellery. It is a network of intertwining reflective stainless steel pipes twisting and branching outwards.

At night the ‘Olive Twist’ Sculpture is like a beacon; light reflects off the silvery structure from within the central space of the trunk base – like a flickering fire creating a play of light and silhouette as one circles around it. In the different seasons one may experience a change in colour of light, like now in Autumn for Pink October breast Cancer awareness month.

Seen from above, this spinning movement of the ‘Olive Twist’ Sculpture Landscaping is also influenced by the history and spirit of the place:

Between the roundabout and the Church there used to be an old windmill; now long gone and only exists as a memory of people in Zejtun and in the drawing Archives of Malta. 

When we cast the podium on which the ‘Olive Twist’ is rooted, we found it actually resembles a giant grinding-stone of a windmill or an old olive press.  Also the landscaping design with the seed-like imprinted stepping stones spiral outwards into the soil are like roots or like windmill wings spinning.

The stepping stones were made and imprinted with the help of the Zejtun community in Workshops with Zejtun Primary B and the Zejtun Corinthians Football Club nursery. A great big thank you to all involved for making these workshops possible; teachers, parents, staff, Zejtun council members, Malta UNESCO Youth Association, …and thanks to the Children who now have an everlasting imprint set in stone.

The ‘Olive Twist’ is in a way a Time Capsule containing memories, elements and artefacts -created in 2021 by not one person alone; but by a community of people from all over Malta and beyond, working together combining their efforts and skills into one public space. 

After months of planning with Zejtun Local Council and relevant entities; we developed and tested a multitude of models – both physical as well as detailed digital 3d models and drawings used throughout the fabrication process. The manufacturing of the complex sculpture was done together with the skilled welders and steel benders at Jacap Ltd. in Mosta. 

On site surveying was done by Brandon Calleja. The reinforced concrete civil works and smooth hand crafted in situ finishes of the podium and curved kerbs were done by Decorative Concrete Ltd. Steve Ellis and his team also helped with the casting of the stepping stones.

For a thunderstorm like this weekend the Olive Twist is also safe. The Lightning Protection earthing system includes two 3.6m earth-rods installed by MCE. Testing and engineering of earthing by Ing Joseph Azzopardi of Galea Curmi in Gozo. The LED Lighting from Hydrolectric and the electric installation by Nexus.

 The Transport and lifting of the 4x3x3m Sculpture in one piece from Mosta to Zejtun was done successfully by Express Trailers. 

In the Landscaping part of the project the ‘Maltese Everlasting’ shrubs were supplied by ELC and planted by the Local Council Gardeners – just before the rain this weekend! These silver leafed shrubs are an endemic species to the Maltese Islands. The actual specimens are propagated from Dwejra, with care once established they require little water and we trust they will flourish and flower for years to come.

‘ Olive Twist’ would not have been possible without the entire Zejtun Local Council Team, Anton Falzon, Sean Chircop and Major, Doris Abela for the continuous support, coordination and collaboration. Also thanks to Reece Delia of the Malta UNESCO Youth Association (MUYA) for bringing us all together and writing the winning proposal. Finally, a Special Thanks to the Ministry of Transport and Infrastructure Projects and the Public Works Department for the Funding and Support making ‘Olive Twist’ a new Landmark for Zejtun. ‘

……

‘Olive Twist’ was a winning proposal for the Ministry of Infrastructure competition for ‘Art in Public spaces’.

‘Olive Twist’ was originally envisaged to be the centre and catalyst for surrounding trees to be planted in the future embellishment of the Carlo Diacono Square within the Urban Conservation Area (UCA) of Żejtun. The square is currently a traffic junction paved with tarmac. All entities except SCH were in favour of the project; thus a new location was sought for the sculpture.

Original proposed location for the Olive Twist Sculpture within UCA area of Zejtun.

Categories
Exhibition

CloudScape

Presenting:  An exploration of Light through the Clouds of Malta

As part of the Allura Art Trail exhibiting ‘CLOUDSCAPE’  at Spinola Park, St. Julians MALTA – Opening Saturday & Sunday 12 noon -18 pm   3rd-4th  November 2018

Sculpture and Painting exhibition & LIVE workshop by Rune Bo Jakobsen.

Categories
Exhibition

Exhibition in Gozo

This weekend we opened my solo exhibition at Art..e Gallery on Malta’s beautiful sister Island: Gozo

It was a fun event with guests from a few months of age to +98years(!) spilling out on to the quaint Library Street of the historical town of Victoria.

The exhibition will extend until 7th July. Everyone is welcome.

Over the years I have noticed it can be a feat preparing and taking the 30minute journey ‘over seas’ from Malta to Gozo; yet always rewarding!

Crossing the channel by ferry and passing thru the valley to Victoria the tranquility immediately hits me and I say,  ‘Imagine Malta once used to be like this’.

One travels to Gozo maybe a few times a year on a weekend break to experience Nature and tranquility – but is it not possible to connect our everyday lives with nature?

Could we contain our buildings like the Citadel leaving space for children to run and explore in the fields?

Could the wide roads leave space for bicycle paths in the countryside?

Could our daily lives rely less on commuting by car and instead we could stroll through the meandering townscapes?

‘Gozo: Architecture of a flower’ seeks to open our eyes to the beauty of Nature big and small; a Nature which with the rapid development and urban sprawl is becoming more and more rare in Malta – and now also affected in Gozo.

This exhibition has been an exploration, seeing the beauty of Gozo: with it’s golden cliffs, green valleys, purple skies and how a few serene townscapes still co-exist in harmony with the surrounding landscape. From the magnificent cliffs to the delicate flower perched on it, the Nature of Gozo has inspired me.

Over the past year I have explored and experimented; learning from the landscape and studying the folds of ‘Fungus Rock’ cliff faces to the folds of a flower. I also discovered a transparent cloth-like material, which is used in Malta to sift gunpowder for fireworks.  Folding this shiny brass netting and in architectural terms translating the geometry of the intricate ‘Snap Dragon’ flower into a series of origami-like sculptures. Like my 2013 concrete ‘Popcorn’ series these have a soft, approachable aspect whilst embodying stages of growth albeit being rooted and perched in harsh limestone surroundings.

In my Gozo paintings the focus is also on folds: outlining the edges whilst unveiling the colours in the shadows of the Gozitan landscapes and townscapes.

Finally, a new route has also begun to emerge in the latest pieces: creasing composition paths diagonally across the canvas joining the sky with the landscape.  In paintings with seascapes these paths are becoming shimmering constellations of light.

Rune Bo Jakobsen , Valletta, June 2018

Categories
Blog

New Technique: Torched Watercolour

Some twenty years ago I had experimented in Aarhus with Fire and Card – successfully capturing the flame on paper.

Whilst painting today I dug into my toolbox in my studio and came across gas torches – last time used to strip old wooden beams from paint.

The acrylic on watercolour paper was still soaking wet – I remembered what I once had done in Denmark – could the wet Iceberg landscape become scorched?

Powerful contrasts between heat and cold embodied in the painting;

And a comment on how we are burning natural resources: mankind torching the iceberg and placing a silver fingerprint on his mark.

Last I visited my sister, geologist Gro Birkefeldt Moeller Pedersen in Iceland it impressed me how fast the Glaciers recede.

In Iceland the Global Warming physically changes the landscape.

And here in Malta where polluting cars dominate the landscape and the way of life; we ignore the unbearable heat inevitably approaching in the coming Summer months.

Whilst money, oil and supplies are plentiful, sea water is desalinated and drinking water is carted home by the dozens in plastic bottles. The winter rains are flushed out at sea with the new storm relief network. Decision makers will in 2018 -as every year- take to the comfort of Air Conditioned black cars and offices – whilst African day-workers cross perilous arterial roads by foot or bicycle in the scorching heat.

Will it be too late the day the politicians start feeling the heat?

Rune Bo Jakobsen

Malta, March 2018

Categories
Video

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